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Valkyries: The Choosers of the Slain in Norse Mythology

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By VikingsBrand · 7 min read · Published May 1, 2019 · Updated August 28, 2026
Armored valkyrie on horseback riding above a storm-lit battlefield with spear raised and ravens circling

A valkyrie (Old Norse valkyrja, meaning chooser of the slain) is a female spirit who serves Odin in Norse mythology. Sent to every battle, valkyries decide who dies, allot victory, and carry the chosen warriors to Valhalla, where they pour ale for the dead. The Poetic Edda and Snorri's Prose Edda name dozens of them.

Few figures from Norse myth have traveled as far as the valkyrie. She rides through operas, video games, and comic books, usually wearing wings and a helmet no Viking ever saw. The medieval sources describe something stranger: a battle spirit who can pour your drink one night and weave your death from entrails the next. This guide sticks to what the texts actually say.

What Does Valkyrie Mean?

The Old Norse word valkyrja is a compound of valr, the slain left on a battlefield, and the verb kjósa, to choose. A valkyrja is literally a chooser of the slain, and the plural is valkyrjur. English borrowed the word as Valkyrie; German reshaped it into Walküre, the form Wagner set to music.

The name is a job description. Valkyries do not simply gather the dead once the fighting ends. They pick who falls in the first place, acting as Odin's agents on the field. Old English kept a related word, wælcyrge, which glossary writers applied to furies and sorceresses, a hint that the idea was older and wider than Iceland's manuscripts.

What Do the Norse Sources Say About Valkyries?

The clearest summary sits in Snorri Sturluson's Prose Edda. In Gylfaginning 36, Snorri writes that Odin sends valkyries to every battle, where they determine which men are fated to die and decide who holds the victory. They also serve in Valhalla, carrying drink and keeping the table for the einherjar, Odin's chosen dead. For their names, Snorri quotes an older poem.

Valkyries carrying mead horns to warriors seated at long tables in the golden hall of Valhalla

That older poem is Grímnismál. Speaking in disguise, Odin names the valkyries who bear ale to his warriors, beginning with Hrist and Mist, who bring him his horn, and running through nearly a dozen more in stanza 36. You can read the whole poem in Henry Adams Bellows' 1923 translation of the Poetic Edda at sacred-texts.com.

Völuspá, the first poem of the Poetic Edda, shows the other side of the job. In its valkyrie stanza (30 in most editions, 31 in Bellows' numbering), the seeress sees them gathered from far away, ready to ride to the people of the gods, and names riders including Skuld, Göndul, and Geirskögul. Here they are not hall servants. They are a mounted war band.

The Loom of War: The Valkyries' Darker Face

The grimmest valkyrie scene in Old Norse literature appears in Njáls saga. On the day of the Battle of Clontarf in 1014, a man in Caithness watches twelve riders enter a bower and begin to weave. Their song, Darraðarljóð, describes a loom weighted with severed heads and strung with human entrails, its tools made from weapons: spears, arrows, and a sword. As the women weave, they choose who will die in the battle being fought that same day, then tear the cloth apart and ride off.

Hands working a warp-weighted loom by torchlight, evoking the loom of war sung of in Darraðarljóð

Hákonarmál, composed by the skald Eyvindr skáldaspillir and preserved in Heimskringla, gives the solemn version. Odin sends the valkyries Göndul and Skögul to a battlefield in Norway to decide which king should fall and to bring Hákon the Good to Valhalla. The dying king protests that he had deserved victory from the gods; Skögul answers that the valkyries gave him the field, and that he is now called home.

Many scholars read these two faces, the gracious ale-bearer of Valhalla and the corpse-choosing demon at the loom, as stages in the figure's development: an older, wilder battlefield spirit slowly tamed into Odin's orderly retinue. The sources never state this. It is interpretation, but the tension between the two portraits runs through the whole tradition.

Which Valkyries Loved Mortal Heroes?

In the heroic poems of the Poetic Edda, valkyries step out of Odin's shadow and into love stories. Sigrún, a king's daughter and a valkyrie, chooses the hero Helgi Hundingsbane against her family's wishes. Their story fills the two Helgi Hundingsbane poems and ends in grief: Helgi is killed by Sigrún's brother, and the prose that follows says she died early of sorrow.

Sigrdrífumál opens with the hero Sigurd waking an armored sleeper inside a rampart of shields on a mountain. She is the valkyrie Sigrdrífa, and she explains her fate plainly. She struck down Hjálmgunnar, a king Odin had promised victory, so Odin pricked her with a sleep-thorn and declared she would never again win victory in battle and would marry. In Völsunga saga the sleeping valkyrie is Brynhild, and readers have argued ever since over whether Sigrdrífa and Brynhild were originally one figure or two.

Those are the famous names, along with Göndul and Skögul above. Dozens more survive, from Hildr to Herfjötur, most built from words for battle, noise, and fetters. We keep the full roster, with meanings, in our guide to valkyrie names and their meanings.

Are Valkyries Goddesses?

No. The sources never count valkyries among the Æsir or the Vanir. They are semi-divine spirits in Odin's service: supernatural, long-lived, able to ride over air and sea in the Helgi poems, yet always agents rather than powers in their own right. In the heroic poetry the line blurs downward instead, since Sigrún and Brynhild are at the same time valkyries and mortal kings' daughters.

Their place in the afterlife system is also narrower than pop culture suggests. Valkyries carry Odin's chosen to Valhalla, but Grímnismál 14 states that Freyja chooses half of the slain each day for her field Fólkvangr, while Odin has the other half. The poems announce this split and never explain it. Both halls, and the warriors waiting in them, have their own stories.

Is There Archaeological Evidence for Valkyries?

Possibly, with a large asterisk. In 2012 metal detectorists at Hårby in Denmark found a small silver-gilt figurine of a woman holding an upright sword and a round shield. Small Viking Age images of women bearing weapons or drinking horns, in metal and on picture stones, turn up across Scandinavia, and they are popularly called valkyrie figures.

Popularly is the key word. None of these objects carries a label, and the identification is modern interpretation, not certainty. The Hårby woman could show a valkyrie, a goddess, or something we have no word for. The finds prove that armed female figures mattered in Viking Age imagery. What the makers meant by them, the metal does not say.

How Wagner Gave the Valkyries Wings

Richard Wagner's opera Die Walküre premiered in 1870, and its Ride of the Valkyries became one of the most recognizable pieces of music ever written. Wagner's Brünnhilde, and the winged helmets designed for early stagings of his Ring cycle, fixed the image most people now carry: a woman in armor with wings on her helm. No Norse text gives valkyries wings. They ride horses.

The nearest Norse relative of the winged valkyrie is the swan-maiden. In Völundarkviða, three maidens who wear swan shapes marry the smith Völund and his brothers, and the poem's prose introduction calls them valkyries. That overlap let feathers drift into the tradition long before Hollywood. Marvel's Valkyrie and the valkyrie bosses of the God of War games borrow the Norse name and, more often than not, Wagner's silhouette.

What People Mean When They Wear Valkyrie Imagery

Be honest about the archaeology first: no Viking Age pendant comes with a confirmed valkyrie name attached, and the winged-helmet valkyrie is a nineteenth-century stage costume. What survives from the period is the idea, a female figure trusted with judgment over life and death, and small silver women with swords who may embody her.

Silver shieldmaiden style rings and pendants arranged in a flat lay on dark linen

That idea is what most people reach for when they wear valkyrie or shieldmaiden imagery today: courage, decisiveness, loyalty to the fallen, a feminine strength the sagas took seriously. Worn that way, the symbol is a statement of character rather than a costume, and it needs no wings to work.

FAQ: Valkyries in Norse Mythology

What is a Valkyrie?

A Valkyrie is a female spirit in Norse mythology who serves Odin as a chooser of the slain. Sent to every battle, Valkyries decide which warriors die, award victory, and carry the chosen dead to Valhalla, where they serve them ale. They appear across the Poetic Edda and in Snorri Sturluson's Prose Edda.

What does Valkyrie mean?

Valkyrie comes from the Old Norse valkyrja, a compound of valr, the slain on a battlefield, and kjósa, to choose. It literally means chooser of the slain. The plural is valkyrjur. English anglicized the word as Valkyrie, while German turned it into Walküre, the form Richard Wagner made world famous.

Are Valkyries goddesses?

No. Norse sources never count Valkyries among the goddesses. They are semi-divine spirits in Odin's service, choosing the slain and serving ale in Valhalla. In the heroic poems the line blurs, since figures like Sigrún and Brynhild are both Valkyries and mortal kings' daughters, but no text grants them the rank of the Æsir.

Do Valkyries have wings?

No Norse text gives Valkyries wings. In the Eddas they ride horses, wear mail, and carry spears. The winged helmet comes from costume designs for nineteenth-century stagings of Wagner's Ring operas. The closest Norse image is the swan-maidens of Völundarkviða, whose swan shapes later blended into the popular picture of the Valkyrie.

Where do Valkyries take the dead?

Valkyries carry the warriors Odin chooses to Valhalla, his hall in Asgard. The poem Grímnismál, stanza 14, adds that the goddess Freyja picks half of the slain each day for her own field, Fólkvangr, while Odin keeps the other half. The poems state this split plainly but never explain how it worked.

Who are the most famous Valkyries?

Sigrún, who defies her father to love the hero Helgi Hundingsbane; Sigrdrífa, the sleeping Valkyrie of Sigrdrífumál, often identified with Brynhild of Völsunga saga; and Göndul and Skögul, who escort King Hákon the Good to Valhalla in the poem Hákonarmál. Dozens of further names survive in the Eddic poems and Snorri's lists.

Sources

  • The Poetic Edda: Völuspá, Grímnismál, the Helgi poems, Sigrdrífumál, and Völundarkviða, in Henry Adams Bellows' 1923 translation at sacred-texts.com.
  • Snorri Sturluson, Prose Edda, Gylfaginning 36.
  • Njáls saga, the Darraðarljóð episode.
  • Eyvindr skáldaspillir, Hákonarmál, preserved in Snorri's Heimskringla.

Keep exploring: our overview of death and the afterlife in Norse mythology, the two halls that receive the chosen slain, Valhalla and Fólkvangr, or wear the idea with silver shieldmaiden jewelry for women.

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